
Welcome to the Photographer's SupplyStation Newsletter! This is the Water issue.
|
|
|
In this issue, we'll show you how to capture some
really different and interesting images of water. Water? Sure!
Water is usually free, you can find it just about everywhere
you go, and with today's small and light new digital cameras
and camcorders, we can just slip a camera into a handy pocket
or purse, and take them with us everywhere! And whether we're
at home or outdoors, you might as well make some different and
visually arresting pictures. We don't even have to leave home
to get great "liquid" pix, like the little "Drip"
shown here (and larger below). And we can get some really mesmerizing
pictures when we're outdoors. Read on and we'll show you all
the tricks to getting great shots. Don't miss the "Water
Photography" pictures, just below where
I tell you exactly how to get the same results - quickly and
easily. |
|
This issue's super-low-priced BLOWOUT Sales on all brand-new equipment: |
|
| Strobe/Flash Lighting Kits are great for still photography, both film and digital; the top choice of professional photographers throughout the second half of 20th century, and still a favorite for many. However, flash equipment like all strobes, will not work for video. The two strobe kits listed just below are flash kits. | |
How about a 120WS Starter Strobe
Lighting Kit for only
$99?This makes a great starter kit for still images, digital or film. |
This kit will start you out right, with everything you'll need for professional images. |
| Continuous Lighting Kits work well for all types of photography, and perform perfectly with all camera types: digital cameras, video cameras, camcorders, film cameras, and movie cameras. . The kits listed below are all continuous lighting kits (and are great for ALL types of cameras and camcorders). | |
Can you believe it? A whole continuous lighting starter kit for less than the tax you paid on your camera? Believe it! It's true. Only from “PhotoSource3” of course. |
![]() So how do we get results like this? It's really easy, and you'll only need one simple piece of equipment in addition to yourself and a camera. Read all about it below. |
These new dual-bulb / dual-power continuous lights are like having two kits in one package; a 500 watt kit - and - a 1,000 watt kit. Check it out. You'll be glad you did. Update: Upgrade to 600W and 1,200W Lights - at no extra charge! |
With everything you'll need for great videos, portraits, or products! Lists at $599.95, but nobody pays retail at Photographer's SupplyStation! Add a Background for $39. |
![]() What about "freezing" each little droplet of water in the air, instead of smoothing over the moving waters with misty fog? Easy. When you know how. ;-) |
|
| BONUS! Add to any kit purchased: Add a 9' x 12' Muslin Background: Black, White, Blue, or Green (your choice) for only $39.95! Or add a 9' Background Support Set for only $89.95. Or add BOTH (support set and muslin) for $119. | |
| In this issue:--Vol. 1, #2, 2009 Photographing WATER-- "PhotoSource3" on eBay ---> Check out the eBay Listings | |
| NOTE: If you want to receive future newsletters, you must subscribe to my newsletter mailing list. You can do so in my eBay Store! | |
| Water is a fantastic subject for photographers, and this is the perfect time to get out there and make some amazing water pictures. If you want to freeze each droplet of water, use fast shutter speeds. But if you'd like to get the enthralling effects like in the two pictures below, where the water floats in a soft mist, you have to do the opposite; you have to use slow shutter speeds. And don't even think that you'll need a super-duper high-end digital SLR! And even if you forget to bring your camera along when enjoying an outdoor excursion, it's likely you'll have a cell phone with you. Yes, the little camera built into most cell phones is capable of making some great water images. But do your best to slip your camera into your pocket or purse. You'll be glad you did. | |
Ah,
such silky-smooth "cotton candy" fluffy cloud effects
are pretty easy to make. You can create this mysterious-looking
floating mist with a camera and a tripod and a s-l-o-w shutter
speed. To get such great DOF (Depth Of Field), you'll want to
use a small aperture (try f16). Set your camera on a solid tripod,
carefully compose your shot, and then start with a 1 second shutter
speed, and then decrease the shutter speed in 1/2 second intervals
(first 1 second; then 1 1/2 seconds, then 2 seconds, etc.) up
to 10 or even 15 seconds. Recap:
Deep DOF: Aperture: f11-16 or smaller; Shutter speed: Slow 2
to 10 seconds. Set your
sensitivity high; try ISO 400, and keep going higher (up to 1600)
until you get the results you like. See what settings
ring your bell. Friends will be amazed. |
![]() This type of image won't require too small of an aperture, because the DOF is somewhat less. But also try some alternative apertures; and try lots of alternative settings; experiment. The greatest accomplishments come from folks who weren't afraid to push the envelope. So push hard, and see what happens. |
| Go for the slow shutter speeds: for the misty, dreamy look. If you'd like to get the soft and floating effects like in these images above, where the water floats in a mysterious mist, you have to use s-l-o-w shutter speeds. How slow? At least 1/4 second, but generally you'll want to use 1 to 2 seconds (the pix above were both over 4 seconds). Then use even slower shutter speeds (try 5 seconds, 10 seconds, 15 seconds, and 20 seconds; then when you get home and can see the images better (on your computer's monitor or printed out), label each image you like with the camera settings and shutter speed (length of time), so you can repeat your favorite effects in the future. Depending upon the capabilities your camera, you'll most likely have to set your camera on "Manual" in order to get the longer shutter speed settings. IF you have a point-and-shoot camera without a manual override, and if your camera complains, or won't let you use a slow enough shutter speed, all you have to do is set the ISO settings to a lower sensitivity or use a smaller aperture, or a little of both. Try setting your camera's ISO/ASA at 100, or 64 or even 25. It's not hard to do, and everyone will think you're a great photographer! ;-) Why? Because you ARE a great photographer! And as you learn how to get more interesting images you will become an even better photographer. Keep coming back to Photographer's SupplyStation - “PhotoSource3” on eBay and you'll learn lots more. For free. Back to Top | |
|
Just as a little extra bonus, there's another mermaid, way down below. Bring a snorkle. |
Catching a drop of water as it falls
calls for a fast shutter speed and - if available - a macro lens.
Use a wide open aperture to blur the background, and place a
poster board of a color of your choosing behind the dripping
water to give it a smooth and interesting color background. Start
at 1/500th of a second and go from there until you're happy with
the results. And for all photography, use a tripod! No photographer
worth his/her salt will handhold a camera with a shutter speed
under 1/250, or even 1/500th of a second. Get a good tripod,
and use it! |
![]() Recap: Deep DOF: Aperture: f16 or smaller; Shutter speed: Fast 1/500 or 1/1000. Set your sensitivity high; try ISO 400, and keep going higher (up to 1600) until you get the results you like. |
Go for the fast shutter speeds to make some very interesting pictures of water - either at home as the drip above illustrates - or down at the beach, where the crashing waves splash up against the shore and provide all sorts of strange and interesting images of water droplets frozen in air! Be sure to include a few shots with people in them, like surfers and children - especially when they get hit with a wave. Do the same with waterfalls and gurgling brooks as the water splashes over a rock. Basically, to freeze each droplet of airborne water as a giant wave crashes into the shore, set a shutter speed of at least 1/500 of a second, and then go for a shutter speed of 1/1000 and see how you like the results. Make a lot of exposures - you can just trash any you don't like. IF your camera complains about using a fast shutter speed, all you have to do is either set your ISO setting to a higher sensitivity, or use a smaller aperture, or a little of both. |
| Enjoy the images below, and realize that YOU can make images just as good. Get outdoors for fun, or stay home and start dripping water to photograph! The Two "Must Haves" for this kind of photography: A good tripod, and a remote trigger. | |
![]() Wherever there's still water, there will be reflections! Take advantage it whenever you can. Take your exposure reading off the reflection, then add about 1/2 stop and see the results. Keep tweaking the settings and see which settings get you the results you like best. Recap: Deep DOF: Aperture: f16; Shutter speed: Whatever works, probably around 1/60, perhaps slower, depending on your ISO setting. |
For long DOF (Depth Of Field), which means everything in the image is clear and sharp, set your aperture at f16 or smaller. If you have no manual override, set your camera to "Aperture Priority" and set the aperture to as small as you can. Recap: Freeze water: f11-16; 1/500 or faster. |
![]() A fast shutter speed and a wide open aperture, along with a good macro lens is the receipe for results like this. The "photographer's eye" is a talent developed over time and with practice. So go practice looking at water in many different ways. You'll be amazed at all the things you'll see. |
![]() For shots like this, all you'll need is a friendly neighberhood swimming pool. Or maybe even the one in your back yard. Keep your eyes open. |
![]() NOTE: This issue of the NewsLetter is still being revised, so check back soon for the updated version! |
![]() |
| The two pictures below might not win any prizes, but they're interesting and certainly well composed. I like them both. The most interesting aspect, though, is the camera that was used. Both were taken by a cell phone. Some of the greatest pictures of all time were made using little more than a box with a pinhole in it. It's not the tool; it's the photographer. Back to Top | |
![]() |
![]() |
| Well, that's it for this issue. I hope you enjoyed it. Feel free to contact me if you have any questions or comments. Be well, be happy, keep your eyes open, and always have your camera ready. PhotoSource3@pss3.com |
| The best single piece of photographic advice given to amateurs is: "Use a tripod!" When? ALWAYS! Or at least whenever possible (also use a remote trigger). The next best piece of photographic advice is: Turn off that damned flash! 'Nuff said. :) |
| Notice: If you're in the mood, feel free to check out my eBay listings for lots more photographic goodies! The only way to be sure you haven't missed something that might be perfect for your needs is to check my eBay and store items by clicking HERE! |
![]() |
Ahh, the lady in the lake. You can get this dreamy, soft-focus look by using a soft-focus filter, but why spend $25 or $30, and waste your money on a filter, when all you have to do is take a piece of an old pair of ladies nylon hosiery, cut out a piece about 3" square, and just stretch it over the front of your lens with a rubber band to hold it on. It might even be fun getting the nylons off the, umm, well, wherever those things come from. If you're going to do some lake photography, keep your eyes open, and maybe, just maybe, you'll find a mermaid of your own. This one's mine. And, no, I don't share. ;-) |
![]() |
This is one
of the most important lessons for the beginning photographer! It is vitally important for
the photographer to realize that light itself is the paintbrush
and the pen of the photographic artist. Light itself is the language and and the music of
photography; light is the inspiration and the beauty; light itself
is the the tool that photographers' use to create stunning images.
No less than a brush in the hand of Rembrandt, or a perfect line
from the pen of Shakespeare, LIGHT is to the photographer! A
tiny shadow placed here, a spot of light there, a slight movement
of the head to the left, the eyes directed just a bit downward,
a gold umbrella to warm up the paleness, a softbox to hide the
wrinkles.... LIGHT is the nectar and ambrosia of the photographer!
Light and it's beloved opposite, shadow, are the food and drink
the photographer needs to nourish his/her creativity. The biggest misconception among amateurs is thinking they need an expensive camera and thousands of dollars worth of costly studio equipment in order to make great pictures. Not so! Fabulous images have been made with little more than a cardboard box with a pinhole in it! The camera is not very important at all. Virtually any decent camera will do just fine to start with. And even the cheapest light you can find will work just as well as the most expensive ones. It is where you place the light and where you place the shadows that's important. It is how you modify the light that's important. Work with light. Love light. Befriend shadows (see below). Use them. Use them wisely, and you will produce masterpieces. Well, enough of that. Here on my web site you will find the tools you'll need to make fabulous images. The rest is up to you. |
|
The photo above is called "The Leap of Faith" and is one of the most universally-applauded photographic images of the 20th century. Do you think he made it over the puddle? The wonderful thing about this picture is that we will never know! The beauty is in the uncertainty. The action is captured at the peak of its energy. How much less of an image it would be if it showed the jumper before he left the ground. Or after he landed - either in the puddle or over it. Notice also how the photographer framed the shot, notice how he made sure to shoot from the side of the picture so the reflection of the jumper fell between the jumper and the camera position - if he shot from the other end of the street, the jumper's body would obscure the reflection in the puddle. Every choice the photographer makes impacts the quality of the image. Think about what you want before taking a picture. Position your subject where it will make the result better. Go read my "Portraiture Guide" and make light your friend! Better yet, make light your lover. |
|
| All these pictures were in Vogue magazine. Look at them; what do you notice? What one lighting effect do they all have in common? One side of the face is in shadow, to one degree or another! Shadows give our facial images shape, texture, definition, interest, and drama. Shadows are our friends! Love shadows. USE shadows! | |||
![]() |
![]() |
![]() |
![]() |
© 2009 RMorgan/Adam Publishing Co./Wryter All Wrights Wreserved Worldwide! So there! ;-)